American Cinema

Comedia, mumblecore y cotidianeidad. El cine de Andrew Bujalski

Contemporary Art / American Cinema / Contemporary American Cinema / Art and Independent Cinema / 'Mumblecore' Independent Cinema / Mumblecore / Andrew Bujalski / Mumblecore / Andrew Bujalski

El film como estudio historiografico

European Cinema / Literature and cinema / Historiography / Digital Cinema / Spanish Cinema / Japanese Cinema / Italian Cinema / Puerto Rico / American Cinema / Hindi Cinema / Cinema / History of Historiography / Art and Independent Cinema / Puerto Rican Literature / Cinematography / Puerto Rican Studies / Etnohistoria / Transnational Cinema / Cinema Studies / España / Puerto Rican History / Historiografia, História Moderna e Contemporânea, Teoria da História / Historiografía guatemalteca y centroamericana / Historiografia / Historiografia Digital / Historia Contemporánea de España / Historiografía / Literatura hispanoamericana y puertorriqueña / Historia De Puerto Rico / Cinema and Television / Película Cinematográfica / Historiografía Latina / Japanese Cinema / Italian Cinema / Puerto Rico / American Cinema / Hindi Cinema / Cinema / History of Historiography / Art and Independent Cinema / Puerto Rican Literature / Cinematography / Puerto Rican Studies / Etnohistoria / Transnational Cinema / Cinema Studies / España / Puerto Rican History / Historiografia, História Moderna e Contemporânea, Teoria da História / Historiografía guatemalteca y centroamericana / Historiografia / Historiografia Digital / Historia Contemporánea de España / Historiografía / Literatura hispanoamericana y puertorriqueña / Historia De Puerto Rico / Cinema and Television / Película Cinematográfica / Historiografía Latina

LA POSIBILIDAD DEL REGRESO (DEL EXILIO) A TRAVÉS DE LA EXPERIENCIA ESTÉTICA

European Cinema / Literature and cinema / Early Cinema / American Cinema / Cinema / Transnational Cinema / Cinema Studies / Political cinema / Película Cinematográfica / Transnational Cinema / Cinema Studies / Political cinema / Película Cinematográfica

“La pretensión de la negación de la no-evidencia. Propuesta de acercamiento al estereotipo de la “tragic mulatta” en las expresiones de la cultura norteamericana de finales del siglo XIX y XX

Sociology / Literature and cinema / Race and Racism / American Cinema / Racismo y discriminación / Sociología / Douglas Sirk / Cine y literatura / Sociología / Douglas Sirk / Cine y literatura

Viaje a la prehistoria de Karel Zeman

Archaeology / Prehistoric Archaeology / Geology / Paleontology / Social Sciences / Structural Geology / French Cinema / European Cinema / History of Paleontology / Human Rights / Literature and cinema / Quaternary Geology / American Cinema / Cinema / Art and Independent Cinema / Vertebrate Paleontology / Dinosaur Paleontology / Prehistoric Art / Visual Arts / Prehistory / Dinosaurian Paleontology / Cinematography / Prehistoric Rock Art / Cinema Studies / Dinosaurs / Prehistoric Archeology / Dibujos animados / Geology and Paleontology / Marginocephalian dinosaurs / Cinema and Television / Taphonomy of Mesozoic continental sites and Dinosaur nesting sites / Checoslovaquian Cinema / Structural Geology / French Cinema / European Cinema / History of Paleontology / Human Rights / Literature and cinema / Quaternary Geology / American Cinema / Cinema / Art and Independent Cinema / Vertebrate Paleontology / Dinosaur Paleontology / Prehistoric Art / Visual Arts / Prehistory / Dinosaurian Paleontology / Cinematography / Prehistoric Rock Art / Cinema Studies / Dinosaurs / Prehistoric Archeology / Dibujos animados / Geology and Paleontology / Marginocephalian dinosaurs / Cinema and Television / Taphonomy of Mesozoic continental sites and Dinosaur nesting sites / Checoslovaquian Cinema

Representación del imperio informal: la propaganda cinematográfica de Estados Unidos en México, 1940-1952

International Relations / Propaganda / Newsreels and Cinemagazines / American Cinema / World War II

Apuntes sobre una cuestión pendiente: la actuación cinematográfica, en Imagofagia, Revista de la Asociación de la Asociación Argentina de Estudios de Cine y Audiovisual (http://www.asaeca.org/imagofagia/index.php/imagofagia/article/view/929)

French Cinema / European Cinema / Literature and cinema / National Cinemas / Spanish Cinema / Actor Training and Working Practices / Early Cinema / American Cinema / Cinema / Art and Independent Cinema / Latin American Cinema / Pre-Cinema / Cinematography / Transnational Cinema / Cinema Studies / Actor Training / Técnicas de actuación / Cinema Theory / Cinema and Television / Actuación / Actuacion / Poéticas De Actuación / Directing Actors for Film / ACTUACIÓN PARA LA CÁMARA / Actor Training and Working Practices / Early Cinema / American Cinema / Cinema / Art and Independent Cinema / Latin American Cinema / Pre-Cinema / Cinematography / Transnational Cinema / Cinema Studies / Actor Training / Técnicas de actuación / Cinema Theory / Cinema and Television / Actuación / Actuacion / Poéticas De Actuación / Directing Actors for Film / ACTUACIÓN PARA LA CÁMARA

CFP: Américas transnacionales: hogar(es), fronteras y transgresiones

American Literature / American History / Latin American Studies / American Studies / Anthropology / American Politics / Performing Arts / Theatre Studies / Languages and Linguistics / Latin American and Caribbean History / Ethnography / Sociolinguistics / Visual Culture / American Foreign Policy / Latin American Foreign Policy / Latin American literature / Migration Studies / Latin American History / Latin American Politics (Political Science) / American Cinema / Minority Rights / Latin American Cinema / American civilization / American Politics / Performing Arts / Theatre Studies / Languages and Linguistics / Latin American and Caribbean History / Ethnography / Sociolinguistics / Visual Culture / American Foreign Policy / Latin American Foreign Policy / Latin American literature / Migration Studies / Latin American History / Latin American Politics (Political Science) / American Cinema / Minority Rights / Latin American Cinema / American civilization

De Hollywood a las orillas del Tíber. Raoul Walsh y el «peplum», «Dirigido por...», n. 472, diciembre 2016, pp. 54-55

History / European Cinema / Film History / American Cinema / Film and History / Cinema / Classical Hollywood / History of Film / Hollywood / Peplum films / Helen of Troy / Classical Hollywood Cinema / Cinema and History / Peplum movies / Peplum Movies Cinema Antiquity / Italian Silent Cinema / Cinema Classico Hollywoodiano / Giovanni Pastrone / Peplum / Biblical Films / Classic Cinema / Italian Silent Film / Mario Bava / Biblical Movies / Robert Wise / Raoul Walsh / David Wark Griffith / Hollywood on the Tiber / Esther and the King / Cinema / Classical Hollywood / History of Film / Hollywood / Peplum films / Helen of Troy / Classical Hollywood Cinema / Cinema and History / Peplum movies / Peplum Movies Cinema Antiquity / Italian Silent Cinema / Cinema Classico Hollywoodiano / Giovanni Pastrone / Peplum / Biblical Films / Classic Cinema / Italian Silent Film / Mario Bava / Biblical Movies / Robert Wise / Raoul Walsh / David Wark Griffith / Hollywood on the Tiber / Esther and the King

Michael Mann: Creador a la Vanguardia

Cultural Studies / Media Studies / Television Studies / Digital media Production / Digital Media / Digital Cinema / Race and Ethnicity / Digital Culture / Thriller / American Cinema / Cinema / Series TV / Contemporary Hollywood / Michael Mann / Hollywood / Television series / Representaciones Sociales / New Hollywood Cinema / TV Series / Cinema and Television / Televisión Digital / Miami Vice / Digital Cinema / Race and Ethnicity / Digital Culture / Thriller / American Cinema / Cinema / Series TV / Contemporary Hollywood / Michael Mann / Hollywood / Television series / Representaciones Sociales / New Hollywood Cinema / TV Series / Cinema and Television / Televisión Digital / Miami Vice
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